Dance Lexicon

Short descriptions of the history, music and steps of many dance styles. The written information is free to be used by dancers, in any format.

We divided the dances into 4 categories (click for more information):

Please note that all the International and Latin 'Night Club' dances could be danced as Social, Competitive, or showcase. Furthermore, we do not refer to the American style, since we do not deal with any local style. The International style is used worldwide, and will be the style used in the Olympics in the future.

Table terms:

RFRight foot
LFLeft foot
FWDForward
CWClockwise
CCWCounter Clockwise
DCDiagonally to Centre
DWDiagonally to Wall
OPOutside Partner
LODLine Of Dance
The Line Of Dance
Diagram showing the line of dance: an outer fast lane and inner slower lane travelling counter-clockwise around the floor, with a central area for non-progressive steps and variations

General terms:

Music beat
The core 'rhythm atom' of the music. For example, the 1 or 2 or 3 in a Waltz.
Music bar
A whole beat structure. For example 1, 2, 3 in Waltz is one bar.
Tempo
The speed of the music.
Bars per minute
The tempo measured by counting the number of bars per minute.
Beats per minute
The tempo measured by counting the number of beats per minute. Note: If one wants to calculate the beats per minute, the calculation is simple – Beats per Minute = (Bars per minute) x (the number of the beats in one bar). For example, in English Waltz there are 30 bars per minute and 3 beats to a bar. Therefore the tempo is 30 bars per minute or 180 beats per minute.
Syncopation
Music beat in between the core beats. It could be referred to as '&' or 'a' when counting. For example: 4 & 1, which is used in Cha Cha Cha.
Emphasis (in music)
The strongest beat. For example, the 1 in Cha Cha Cha or 4 in Rumba.
Pelvis Action
Any separated/isolated motion of the pelvis. This action could be a side shift, a relaxation of the hip, rotation, contraction and release, a figure eight, a pressure step with rotation, and more.
Swing
An action related to a shift of weight combined with a pelvis action. Latin dances contain swing actions.
Sway
An action related to a shift of the whole body, usually stretching one side. The Sway is used in English Waltz, Viennese Waltz, Foxtrot and Quickstep.

International Latin Dances

The Latin dances have a strong connection between the strong beat of the music and the pelvis actions. This creates a synergy with the typical pelvis separation of all Latin dances. For example: In Cha Cha Cha the strong beat is 1, which leads to a strong pelvis action to the right or left. In Rumba it is the 4th beat, which leads to a relaxation of the hips, thus creating a 'curvy' look.

The Latin dances are divided into two categories: Progressive (Samba and Paso Doble) and Stationary (Cha Cha Cha, Rumba and Jive). The hold is an open one, meaning there is no body contact except for the shoulder, arm, and hands.

Cha Cha ChaListen

Originally a Cuban dance that developed out of the Mambo, it was first called 'Triple Mambo,' meaning, the mambo plus three steps. The three extra steps were entitled 'cha cha cha' and are syncopated on beats 1 and 4. The dance expresses happiness and mischievousness, and contains elements of reciprocated seduction. The music contains a rich rhythm, marked with percussion instruments. The emphasized hip movements in this dance are a direct effect of the leg work.

Tempo:29-31 bars a minute
Count:4/4 with the emphasis on the first beat (Count: 1,2,3,4 & 1 …)
Preparation step: Simple preparation step: On the first beat, the man steps right and the lady steps left. Advanced preparation step: FWD lockstep for the man BWD lockstep for the lady on 4 & 1 (Cha Cha Cha)

Basic Step:

Step #CountMan's stepLady's stepNotes
12LF FWDRF BWDAn 1/8 to a 1/4 turn CCW is optional
23Weight back to RFWeight back to LF
34LF to the leftRF to the right
4&RF almost closingLF almost closing
51LF to the leftRF to the right
62RF BWDLF FWDAn 1/8 to a 1/4 turn CCW is optional
73Weight back to LFWeight back to RF
84RF to the rightLF to the left
9&LF almost closingRF almost closing
101RF to the rightLF to the left
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RumbaListen

A Cuban love dance, this dance forms the basis for many other Latin dances. The dance incorporates hip, waist and pelvis movements that express sensuality (especially by the lady), and contains elements of seduction and love. The music is relatively slow and allows much room for self-expression and individual style.

Tempo:24-28 bars a minute
Count:4/4 with the emphasis on the 4th beat
Preparation step: On the 4th beat, the man steps right and the lady, left. On the 1st beat the hip and waist go down on the leg with the weight.

Basic Step:

Step #CountMan's stepLady's stepNotes
12LF FWDRF BWDAn 1/8 to a 1/4 turn CCW is optional
23Weight back to RFWeight back to LF
34LF to the leftRF to the right
41Left hip relaxesRight hip relaxes
52RF BWDLF FWDAn 1/8 to a 1/4 turn CCW is optional
63Weight back to LFWeight back to RF
74RF to the rightLF to the left
81Right hip relaxesLeft hip relaxes
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SambaListen

The samba originated in Brazil, of course, but the modern Ballroom technique is utterly different from the carnival. The samba as a couples' dance is characterized by up and down, greatly energetic movements that match the rhythmic coursing music. The movement is composed both of steps that move forward and steps that don't, and is accompanied by bending and straightening knee movements ('Bounce Action').

Tempo:50-52 bars per minute
Count:2/4 with an emphasis on the second beat
Preparation step: From a low stance on two feet, the man steps forward with his right and the lady steps back with her left.

Basic Step:

Step #CountMan's stepLady's stepNotes
11RF FWDLF BWD
2&Close LFClose RFBounce action
32RF in placeLF in place
43LF BWDRF FWD
5&Close RFClose LFBounce Action
64LF in placeRF in place
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JiveListen

This is the most modern, inclusive and rich dance in the family of Rock and Roll dances. The movement is composed of eight steps instead of six, making the dance look lively and animated. The dance expresses gaiety, happiness and sometimes even mischievous play between the partners. There are a few systems of counting for jive; we use the method of counting eight steps in a bar and a half.

Tempo:Competitive – 43-44 bars per minute, Social – 38-42 bars per minute.
Count:4/4 with emphasis on the second and fourth beats. 1 and ½ bar structure: 1, 2, 3&4, 5&6.
Preparation step: On the count of one, the man steps back with left, and the lady steps back with right. On the count of two, put the weight back on the other foot.

Basic Step:

Step #CountMan's stepLady's stepNotes
11LF BWDRF BWD
22Weight back to RFWeight back to LF
33LF to the centre and slightly to leftRF to the centre and slightly to rightPelvis stays
4&RF pushing to leftLF pushing to right
54LF to the leftRF to the rightPelvis moves
65RF to the centre and slightly to rightLF to the centre and slightly to leftPelvis stays
7&LF pushing to rightRF pushing to left
86RF to the rightLF to the leftPelvis moves
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PasodobleListen

This dance represents a Bull Fight – the man is the matador and the lady his airy cape. The dance originated in Spain and is somewhat reminiscent of Flamenco dancing. The name Paso Doble comes from the words for step (Paso) and double (Doble). The man's role is conspicuous in its leading and in the movements which suggest a bull fighter in the arena. At times the man stamps his right foot before going into the next step, just like the movements of a matador to arouse the bull. The role of the lady is to represent the matador's cape – to be light and to respond quickly and swiftly to the man's leading.

Tempo:59-61 bars per minute
Count:2/4 with an emphasis on the first beat (usually count 1 to 4, 8 or 16, combining a few bars of music together)
Preparation step: On the first beat, the man steps in place (or stamps) with his right, and the lady steps in place with her left.

Basic Step:

Step #CountMan's stepLady's stepNotes
11RF in placeLF in placeSteps could also be a march to the side or FWD / BWD
22LF in placeRF in place
33RF in placeLF in place
44LF in placeRF in place
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International Standard Dances

The Standard dances got their name from the phrase 'Standard European Dances' because these dances were part of the curriculum in high schools in Europe for many years. Today they are also called 'Modern Ballroom Dances'.

The standard dances incorporate a whole body motion. The hold is a closed hold that incorporates body contact at the right side of the upper part of the pelvis. In the Standards, there is no separation of lower and upper body (no 'pelvis actions'). All the Standards are progressive dances, danced on the line of dance (the perimeter of the dance floor), counter clockwise.

Note: It takes much longer to master the Standards, because they contain a lot of details necessary for dancing properly. It is like building an arch – it is solid only when the last stone is in place.

English WaltzListen

The English Waltz is also known as the slow waltz (mainly because it is half the speed of Viennese waltz). The steps are large, with a downward emphasis on the first beat and an upward emphasis on two and three. This creates a rise and fall 'wavy' action, which is combined with a sway to create a beautiful flow. Just like in all standard dances, it is danced counterclockwise around the Line of dance. The couple can complete 3/4 of a turn every 2 bars.

Tempo:30 bars a minute
Count:3/4 with an emphasis on the first beat
Preparation step: The man stepping forward on his right.

Basic Step:

Step #CountMan's stepLady's stepNotes
11RF FWDLF BWDStart DW, 3/8 turn CW, End on LOD
22LF to the sideRF to the side
33RF CloseLF Close
41LF BWDRF FWD3/8 turn CW, End DC
52RF to the sideLF to the side
63LF CloseRF Close
71RF FWDLF FWDChange, No turn
82LF to the sideRF to the side
93RF CloseLF Close
101LF FWDRF FWD3/8 turn CCW, End on LOD
112RF to the sideLF to the side
123LF CloseRF Close
131RF BWDLF FWD3/8 turn CCW, End DW
142LF to the sideRF to the side
153RF CloseLF Close
161LF FWDRF FWDChange, No turn
172RF to the sideLF to the side
183LF CloseRF CloseBack to Step #1
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TangoListen

The tango known today is divided into two main styles, both in music and in technique: Modern tango and Argentinean tango. The tango originates in a dance called the Habanera (named after the city of Havana) which was imported by immigrants to Argentina around the year 1880. In Argentina the dance took on the features of sensual seduction and the club ambience of the time. The tango returned to Europe as a ballroom dance, with different music and technique but with its dramatic quality unaltered. In every form of tango the steps go by counts of 'slow' and 'quick,' knees slightly bent in order to stay at the same height and to allow catlike movements.

Tempo:33-34 bars a minute
Count:4/4 with emphasis on the first beat
Preparation step: Left foot forward, body moves first starts with a straight basic step

Basic Step:

Step #CountMan's stepLady's stepNotes
1SRF FWDLF BWDSteps could also be done in a curve around the LOD
2SLF FWDRF BWD
3QRF FWDLF BWD
4QLF FWDRF BWD
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Viennese WaltzListen

The Viennese waltz is the oldest of the Standard ballroom dances. The Viennese waltz is always danced counterclockwise around the Line Of Dance. Couples are supposed to complete half a turn every music bar (1, 2, 3). Since a strict tempo Viennese Waltz is 60 bars per minute, the dancers are turning at a rate of 30 turns a minute; therefore, the waltz is danced right and left – 8 to 16 bars in each direction. The change of direction prevents dizziness even when dancing for a long time.

Tempo:58 to 60 bars per minute
Count:3/4 with an emphasis on the first beat
Preparation step: Man dances forward on his right foot, into a basic step turning clockwise

Basic Step:

Step #CountMan's stepLady's stepNotes
11RF FWDLF BWDStart DC, 1/2 turn CW
22LF to the sideRF to the side
33RF CloseLF Close
41LF BWDRF FWD1/2 turn CW, End DC
52RF to the sideLF to the side
63LF CloseRF Close
71RF FWDLF FWDChange, No turn
82LF to the sideRF to the side
93RF CloseLF Close
101LF FWDRF FWD1/2 turn CCW
112RF to the sideLF to the side
123LF CloseRF Close
131RF BWDLF FWD1/2 turn CCW, End DC
142LF to the sideRF to the side
153RF CloseLF Close
161LF FWDRF FWDChange, No turn
172RF to the sideLF to the side
183LF CloseRF CloseBack to Step #1
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Slow FoxtrotListen

A slow Standard dance which is thought to be the most elaborate and detailed dance of all standard dances. The distinct thing about the dance is that there are three steps in the basic step while the music count is 4/4, which requires special precision and punctuality. The basic step has 2 different parts: a 3-step and a feather-step. There is an inside partner action as well as outside partner action on each basic step. Each half basic step starts with a strong change of sway, on the first step, which has a 'Slow' count.

Tempo:29-30 bars per minute
Count:4/4 with a strong emphasis on the first and a medium emphasis on the third beat
Preparation step: A basic step non-turning step, man steps forward on his right

Basic Step:

Step #CountMan's stepLady's stepNotes
1SRF FWDLF BWDSway Change
2QLF FWD, OPRF BWD
3QRF FWD, OPLF BWD
4SRF FWDRF BWDSway Change
5QLF FWDLF BWD
6QRF FWDRF BWD
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QuickstepListen

A fast standard dance, which combines elements of jazz dancing (Charleston, tap, swing, etc.) with highly stylized technique. The quickstep requires the use of a large dance floor and watching one's dance space, especially because of the variations which are composed of quick chasing (or hovering) steps. The Basic rhythm is S, S, Q, Q but any combination of Slows and Quick steps will do, as long as the music bar structure is followed.

Tempo:48 to 51 bars per minute
Count:4/4 with a strong emphasis on the first beat and a weak emphasis on the third
Preparation step: A basic step non-turning step, man steps forward on right

Basic Step:

Step #CountMan's stepLady's stepNotes
1SLF FWDRF BWDDW
2SRF FWD, OPLF BWD
3QLF to the sideRF to the side¼ turn CW
4QRF closeLF close
5SLF BWDRF FWDBacking DC
6SRF BWDLF FWD
7QLF to the sideRF to the side¼ Turn CCW
8QRF closeLF close
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Latin 'Night Club' Dances

These dances are also called 'Salsa Club Dances', or 'Latin Dances'. These dances are danced in a sensual way and they are very energetic. Salsa clubs are usually very packed, a fact that causes the dance styles to be less spacious and more flowing and 'curling'. An experienced dancer will also take care of his partner in order to avoid colliding with other dancers.

The main difference between these dances and Ballroom dancing is in the less structured way they are danced. Even when it is the same dance (i.e. Cha Cha Cha), in a Salsa club, it will be danced in a compact way, incorporating Salsa Variations into the Cha Cha Cha.

SalsaListen

Salsa is a Cuban dance, which spun off the Mambo (Cha Cha Cha is another spin-off). While the Mambo was danced on the 2nd beat, the Salsa is danced usually on the first one. Some dancers will choose to dance on the 2nd or 3rd beat, which is perfectly acceptable, as long as they maintain it throughout the dance. There are two kinds of salsa music: 'Romantica' (romantic) – slow and sensual; and 'Caliente' (hot) – quicker and more rhythmic.

Tempo:40-47 bars per minute
Count:4/4 with an emphasis on the second and fourth beat

Basic Step:

Step #CountMan's stepLady's stepNotes
11LF FWDRF BWDAn 1/8 to a 1/4 turn is optional
22Weight back to RFWeight back to LF
33LF to the leftRF to the right
44Left hip relaxes / tapRight hip relaxes / tap
51RF BWDLF FWDAn 1/8 to a 1/4 turn is optional
62Weight back to LFWeight back to RF
73RF to the rightLF to the left
84Right hip relaxes / tapLeft hip relaxes / tap
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MerengueListen

The Merengue is a Latin nightclub dance, which is also used in Ballroom parties and social dance events, mainly because it is the easiest dance to perform. It originated in the Dominican Republic, and it is very diverse regarding its musicality and speed. It is danced using small steps and delayed hip movements after each step. The upper part has very little action, which supports the extended actions done by the lower part. The Merengue can be danced in place, while turning, or while advancing.

Tempo:60-120 bars a minute (30-60 bars a minute for a count of 4/4)
Count:2/4

Basic Step:

Step #CountMan's stepLady's stepNotes
11LF in placeRF in placeSteps could also be danced to the side or FWD / BWD
22RF in placeLF in place
33LF in placeRF in place
44RF in placeLF in place
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BachataListen

Bachata is one of the newest Latin nightclub dances, originating in the Dominican Republic. The rhythm has a 4/4 structure and it is relatively slow. There is a unique emphasis on the 4th beat, inviting the typical wiggling pelvis action done on that beat. Some dancers will choose a close hold (the lady almost sitting on her partner's leg) which will create a very sensual dance style. Other dancers will choose an open hold (resembles Merengue or Cha Cha Cha) and more open and turning variations.

Tempo:28-40 bars per minute
Count:4/4, with unique emphasis on the 4th beat

Basic Step:

Step #CountMan's stepLady's stepNotes
11LF to the sideRF to the side
22RF half closedLF half closed
33LF to the sideRF to the side
Wiggle4Wiggle right hipWiggle left hipNo weight change
51RF to the sideLF to the side
62LF half closedRF half closed
73RF to the sideLF to the side
Wiggle4Wiggle left hipWiggle right hipNo weight change
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Social Dances

These dances are also used in a variety of events, from weddings to parties and from formal practices to clubs. Usually these types of dances are danced to popular music (new and old). There are many types of these dances that are currently used and the following list contains some of them.

SwingListen

The swing is the earliest dance version from the Rock and Roll family. The music of swing dancing is rhythm and blues. The dance is composed of swing action to the left and to the right and swing action forward and backward (hence the name, 'swing'). Swing has three main styles: West coast, East coast and Lindy Hop. Another version of swing is the triple swing, which is somewhat like the jive. There are many swing clubs that specialise in this style.

Tempo:24 to 44 bars per minute
Count:4/4 with strong 2nd and 4th beats

Basic Triple Step:

Step #CountMan's stepLady's stepNotes
11LF BWDRF BWD
22Weight back to RFWeight back to LF
33LF to the centre and slightly to leftRF to the centre and slightly to rightPelvis Stays
4&RF pushing to leftLF pushing to right
54LF to the leftRF to the rightPelvis moves
65RF to the centre and slightly to rightLF to the centre and slightly to leftPelvis Stays
7&LF pushing to rightRF pushing to left
86RF to the rightLF to the leftPelvis moves

Basic Double Step:

Step #CountMan's stepLady's stepNotes
11LF BWDRF BWD
22Weight back to RFWeight back to LF
33LF to the side – no weight (point)RF to the side – no weight (point)
44Weight on LF, moving the pelvis to the leftWeight on RF, moving the pelvis to the right
54RF to the side – no weight (point)LF to the side – no weight (point)
65Weight on RF, moving the pelvis to the rightWeight on LF, moving the pelvis to the left
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Slow Rock / BluesListen

Slow Rock developed out of the Blues, similar to the development of Rock and Roll out of R&B. As in Swing, in Slow Rock there's a shifting of weight from right to left, but the space between the partners remains constant. In addition, this dance is usually danced closely, as in ballroom dancing, and hip movements from Latin dancing may be added. The pace can be slowed down or doubled, by counting the beats differently. Because singers sometimes stretch out parts of the song during a pause in the rhythm, it is customary to incorporate pressure turns or turns by the lady, and 'dips'. The sensuality and romance attributed to this dance can be increased sevenfold by adding variations, leading in response to changes in the music, and animated movement.

Tempo:60 to 80 bars per minute
Count:4/4 with emphasis on the 2nd and 4th beats, or 2/4 emphasis on the 2nd beat

Basic Step:

Step #CountMan's stepLady's stepNotes
11RF in place or to the sideLF in place or to the sideSteps could also be danced to the side, FWD, BWD or in a circle.
22LF in place or to the sideRF in place or to the side
33RF in place or to the sideLF in place or to the side
44LF in place or to the sideRF in place or to the side
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HustleListen

A version of disco danced as a couple. The origin of the hustle is in the 70s, when Disco was very popular. There is an influence of the Jive / Swing on the Hustle. For example, the 3rd and 4th steps resemble the 'Back Replace' steps in the Jive. Both partners dance with the same footwork, in a circle, turning clockwise.

Tempo:26 to 40 bars per minute
Count:4/4

Basic Step (turned clockwise):

Step #CountMan's stepLady's stepNotes
1SRF fwd and diagonally OPRF fwd and diagonally OPSlight turn CW
2SLF to the sideLF to the sideSlight turn CW
3QRF BackRF BackPull back action
4QWeight back to LFWeight back to LFSlight turn CW
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